marigeoinbucatarie interior

<i><span style="font-size: large;"><b>DISC Interiors</b></span></i> on <b><i><span style="font-size: large;">Remodelista and Gardenista </span></i></b><br /><br /><i>"You love black houses; we love black houses. Easy to admire but a bold move to make, not just any shade will do. We've asked architect and designer members of our Professional Directory for their favorite black exterior paints." </i><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIuTyR5aX15L-gmEVyyuecJPIa_5M8LTV0bdxLtXN67aXtBdM2EbZuL11Z0T0OwXWFKuQfT-CI0HmwT1s1X96k8zsZLsubUtnUSMZeW_kO_vSbpRo0dC9tWJ1YcOdT6SC4xEB9vgF4zD3O/s1600/All%2520blacks_0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIuTyR5aX15L-gmEVyyuecJPIa_5M8LTV0bdxLtXN67aXtBdM2EbZuL11Z0T0OwXWFKuQfT-CI0HmwT1s1X96k8zsZLsubUtnUSMZeW_kO_vSbpRo0dC9tWJ1YcOdT6SC4xEB9vgF4zD3O/s640/All%2520blacks_0.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDKwnRoKCIKkyRD2QdvcJsWNjcfPpaY5n42CnAFyRumg-3Sb_kmZ1OpbL-EqPkn2ih1Ygil0i8IXCTywHpvB_i1Dw0H4VNSPFBrhvFKZ3ct_Yym7r9EXAFPk6EdMBz8EvCO6sbTeNpf8A-/s1600/white+paint+colors+picked+by+architects+for+gardenista.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDKwnRoKCIKkyRD2QdvcJsWNjcfPpaY5n42CnAFyRumg-3Sb_kmZ1OpbL-EqPkn2ih1Ygil0i8IXCTywHpvB_i1Dw0H4VNSPFBrhvFKZ3ct_Yym7r9EXAFPk6EdMBz8EvCO6sbTeNpf8A-/s640/white+paint+colors+picked+by+architects+for+gardenista.jpg" width="640" /></a></div><br /><br /><br /><i>Thanks Remodelista for asking us to be part of this series! </i><br /><br />Read :<a href="http://www.remodelista.com/posts/black-magic-architects-8-top-paint-picks"><b>Black Magic: Architects' 8 Top Paint Picks</b></a><br />& <a href="http://www.gardenista.com/posts/10-easy-pieces-architects-white-exterior-paint-picks"><b>10 Easy Pieces: Architects' White Exterior Paint Picks</b></a><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;">------------</div>

DISC Interiors on Remodelista and Gardenista "You love black houses; we love black houses. Easy to admire but a bold move to make, not just any shade will do. We've asked architect and designer members of our Professional Directory for their favorite black exterior paints." Thanks Remodelista for as…

29Sep2013

<i><b>Architectones (Sainte-Bernadette du Banlay)  </b></i><br /><i><b> </b></i><br /><i>Relying on the spare lightness that lends the Architectones series its plastic unity<b>, the artist draws on a palette of generic, minimal forms that convey a symbolic and architectonic appropriation of the site, </b>modifying the way it is perceived without contradicting its function." </i><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLyHLqIrVPqte99f_pR4YBOeZ_Zn6QU-Q9DbH2WNBWhnvGlOzoM39TMBp41ngPyiTDXAjWTFFMnkrCdxzm1nGiuza_wg6iAvPDUTxEzMsS3jy9dV3OM4r9K3kf0u6ViVWYRBB_OLI5UX3B/s1600/Invitation_vernissage_SteBernadette.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLyHLqIrVPqte99f_pR4YBOeZ_Zn6QU-Q9DbH2WNBWhnvGlOzoM39TMBp41ngPyiTDXAjWTFFMnkrCdxzm1nGiuza_wg6iAvPDUTxEzMsS3jy9dV3OM4r9K3kf0u6ViVWYRBB_OLI5UX3B/s1600/Invitation_vernissage_SteBernadette.jpg" /></a></div><br /><br /><i>"Well I wonder where you've been </i><br /><i>I don't see you often  I try to feel something for you</i><br /><i>But that's all that I can do</i><br /><b><i>Give my shadow to you"</i></b> <i><a href="http://www.youtube.com/watch?v=o4xTXB30hCQ">(wild nothing, shadow)</a></i><br /><br /><i>"This fall, the church of Sainte-Bernadette du Banlay in Nevers welcomes the fifth instalment of Architectones, the series of exhibitions Xavier Veilhan conceived around flagship buildings of Modernism. Following three modernist houses in California, USA (the VDL Research House, the Case Study House no 21 and the Sheats-Goldstein Residence) and the Cité Radieuse in Marseille (2013), and before upcoming scheduled projects at the Melnikov House in Moscow and Miles van der Rohe's Barcelona Pavilion, Xavier Veilhan is undertaking to occupy the 1966 Brutalist chef d'oeuvre by Claude Parent and Paul Virilio situated in the heart of France. </i><br /><br /><i>Yet another opportunity for the artist to pay homage to the father of the 'oblique function,' already commemorated at Versailles in the monumental installation piece Les Architectes. <b>Claude Parent is someone Veilhan sees as a guiding light, the living embodiment of architecture as arising from the imagination, from the sketch, adamantly uncompromising and nourished by its unbroken links with artists. </b>In Nevers, as with his prior interventions, Xavier Veilhan will present a series of previously unshown works – installations, sculptures, photomontages – that investigate the relationship between art and architecture in the specific context of the site, which is approached 'in all its dimensions' so as to best reveal the inventiveness it embodies."</i><br /><br /><br /><b>Read about Xavier Veilhan's past Architectones Series at </b><br /><br /><a href="http://youhavebeenheresometime.blogspot.com/2012/08/an-afternoon-with-xavier-veilhan-at.html"><b>the VDL Neutra House (here) </b></a><br /><a href="http://youhavebeenheresometime.blogspot.com/2013_04_01_archive.html"><b>and Sheats Goldstein House( here)</b></a><br /><br /><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;">------------------</div>

Architectones (Sainte-Bernadette du Banlay) Relying on the spare lightness that lends the Architectones series its plastic unity, the artist draws on a palette of generic, minimal forms that convey a symbolic and architectonic appropriation of the site, modifying the way it is perceived without co…

26Sep2013

<i>Simply opening the front door and walking </i><br /><i>into that beautiful, tragic house was all it took. -Chris Mottalini</i><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLhwty-bxaQD56fK_GgJdqaKl-fJrnYa7Kjp5SsEgYYdsokIJ53Bcsizvb4QYMltDtkcqniqdFzq3_gJFfrkaa4as4wJBOrw5HtxqeislWTkUJF3xs4e5m4IggWCrE_I7Kl8oR54OQqKcv/s1600/05_AfterYouLeft_book_5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLhwty-bxaQD56fK_GgJdqaKl-fJrnYa7Kjp5SsEgYYdsokIJ53Bcsizvb4QYMltDtkcqniqdFzq3_gJFfrkaa4as4wJBOrw5HtxqeislWTkUJF3xs4e5m4IggWCrE_I7Kl8oR54OQqKcv/s640/05_AfterYouLeft_book_5.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOmjfkz1zfV1zoAqLhMh3WlcjtPvWb7Bcvw3Gc6r_U9nOpY1PKTfIo1vLsx-apSiBu4OSlvBILoNQpvBo5h4ZXsQy2FRDyucl94nKlecNt8DeEI2S85TQsHeNQV5Wy6gikd2foGTuVVp3e/s1600/09_AfterYouLeft_book_15+(2).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOmjfkz1zfV1zoAqLhMh3WlcjtPvWb7Bcvw3Gc6r_U9nOpY1PKTfIo1vLsx-apSiBu4OSlvBILoNQpvBo5h4ZXsQy2FRDyucl94nKlecNt8DeEI2S85TQsHeNQV5Wy6gikd2foGTuVVp3e/s640/09_AfterYouLeft_book_15+(2).jpg" width="640" /></a></div><br /><br /><a href="http://www.reform-modern.com/"><span style="font-size: large;"><i><b>The Landing:: @ Reform Gallery </b></i></span></a><br /><br />Opening Reception and Book Release/Signing: Thursday, October 3rd, 7 - 9:30pm<br />Photographs from Chris Mottalini’s After You Left/They Took It Apart (Demolished Paul Rudolph Homes) <br /><br /><i>"The exhibition will show the remarkable, arresting and ultimately moving photographs Chris Mottalini took of</i><span style="font-size: small;"> <i>three homes by celebrated</i></span><i><span style="font-size: large;"><b> <span style="font-size: small;">Modernist and Brutalist architect Paul Rudolph</span></b></span>, captured in states of alarming disrepair and taken just days before each of these historically significant structures was demolished. The event will also serve as a book release party for a collection of these images, which is being released by Columbia College Chicago Press in late September. Chris Mottalini will be present and signing copies of the book, which will be available for purchase.</i><br /><i><br /></i><i>Architect Paul Rudolph, who served as Dean of Yale School of Architecture from the late 1950s through the mid-1960s and is best known for designing the Yale Art and Architecture Building, was a leading figure in the Brutalist movement, which favored linear, blockish, imposing concrete structures. Mottalini visited his first Rudolph house on a commission from the Rudolph Foundation, and says of that initial visit, <b>“Simply opening the front door and walking into that beautiful, tragic house was all it took.”</b> From there, Mottalini developed what he calls a “slight obsession with Rudolph and his work” that lead the photographer to document approximately thirty Rudolph buildings in the coming years. “The Rudolph Foundation helped me to gain access to many of these,” explains Mottalini, “but the interest/passion was all mine.”</i><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYbe2ay_vMxHUNEE_toEFbfq3LDbY4vdIRQKSyir8aKv5dpj2F_M0RvwCqubAmQaW-CrPbyt3YNxg8ETgjsdU1xHt4pWCtMvZqu6llXZu1EQ13cciOKdTAcyOiILlLsg265-qzdrQ4JO8N/s1600/16_AfterYouLeft_book_0_intro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYbe2ay_vMxHUNEE_toEFbfq3LDbY4vdIRQKSyir8aKv5dpj2F_M0RvwCqubAmQaW-CrPbyt3YNxg8ETgjsdU1xHt4pWCtMvZqu6llXZu1EQ13cciOKdTAcyOiILlLsg265-qzdrQ4JO8N/s640/16_AfterYouLeft_book_0_intro.jpg" width="640" /></a></div><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1TTUIXKx915QwZs5UKj9LF8SvZ08gwptn13SAqIO_V_tpPh7CLFeGTEaKM4BCTvH4gUBEuR5XpUspzwDlSN5qTDj6Qd32lZ7PNeBwsznIKDe-Hs2xWdBGPvrQD0OeYOR0dUAM7gR7HBFH/s1600/19_AfterYouLeft_book_34.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1TTUIXKx915QwZs5UKj9LF8SvZ08gwptn13SAqIO_V_tpPh7CLFeGTEaKM4BCTvH4gUBEuR5XpUspzwDlSN5qTDj6Qd32lZ7PNeBwsznIKDe-Hs2xWdBGPvrQD0OeYOR0dUAM7gR7HBFH/s640/19_AfterYouLeft_book_34.jpg" width="640" /></a></div><br /><br /><i><br /></i><i><span style="font-size: large;"><b>“To me, these photographs are like ghosts,”</b></span> says O’Brien, “but you can still see the bones. You can still see they’re architectural masterpieces, but they’re about to meet the wrecking ball. The history of architectural photography is about getting things at their freshest, and Chris is getting things at their end—there’s that tone to it. “I love the backstory but I also think they stand on their own, just as being beautiful photographs,” says O’Brien. “You can come to this without knowing these are Paul Rudolph homes and still find beauty in them.” </i><br /><br /><i>Bio: Chris Mottalini grew up in Buffalo, New York and lives in Brooklyn. He studied photojournalism at the University of Colorado, Boulder and Uppsala University, Sweden.</i><br /><br /><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;">------------</div>

Simply opening the front door and walking into that beautiful, tragic house was all it took. -Chris MottaliniThe Landing:: @ Reform Gallery Opening Reception and Book Release/Signing: Thursday, October 3rd, 7 - 9:30pmPhotographs from Chris Mottalini’s After You Left/They Took It Apart (Demolished Pa…

25Sep2013

<i>Light is law.<b> It is power, force and life. </b></i><br /><i>Light is an energy that helps create the world and define our experiences.</i><br /><br /><i> – Axel Vervoordt </i><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrXfzGxOkFH0tqP5Uc6srYj6Mjj8MJAVh1Lo0IwtebTx0sAsB2n9K6crEFC4UE5c7lVxgXuj2CjohnPTJ9gIRNmM7oQtKiSeXJFQzlDHSQw2hXvaw1RNWgMb3rRf5fMkSRAIhSt7-_9dC4/s1600/93_2_M12844.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrXfzGxOkFH0tqP5Uc6srYj6Mjj8MJAVh1Lo0IwtebTx0sAsB2n9K6crEFC4UE5c7lVxgXuj2CjohnPTJ9gIRNmM7oQtKiSeXJFQzlDHSQw2hXvaw1RNWgMb3rRf5fMkSRAIhSt7-_9dC4/s1600/93_2_M12844.jpg" /> </a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><b><i>"Living with Light."</i></b></div><div class="separator" style="clear: both; text-align: left;"><i><br />"The Axel Vervoordt Company is honored to announce the publication of our new book, Living with Light.  We created Living with Light to explore our philosophy of living in harmony with natural elements--light, as well as water, metal, wood--and blending the power and influence of nature with the inspiration of art. Through every endeavor of the company, our biggest aim is to ensure that people feel happy in their homes, so that all of their friends and family can share in this emotion.  From the company founding through today, light has played a central role in our work and Living with Light explores this relationship through fifteen projects in Europe and America.  Laziz Hamani is a master of light and his photography reveals the essence of our philosophy in each project and we are extremely grateful to our friends and clients for sharing their homes in pursuit of this vision."</i></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;">--------------- </div><div class="separator" style="clear: both; text-align: center;"><br /></div><br />

Light is law. It is power, force and life. Light is an energy that helps create the world and define our experiences. – Axel Vervoordt "Living with Light.""The Axel Vervoordt Company is honored to announce the publication of our new book, Living with Light. We created Living with Light to explore …

24Sep2013

<b>DISC Interiors</b><i>on Daily Candy </i><br /><br /><i>"The pros behind Disc Interiors transform a barren, oddly proportioned living/dining area </i><br /><i>into a room that would bring a Dwell editor to her knees." - Daily Candy <a href="http://www.dailycandy.com/los-angeles/flipbook/154671/Living-Room-Makeover-with-Disc-Interiors">(here) </a></i><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFQSZa96G8xipKWGU9ub1e_Ft8bRt6Hewt446o9Nklbs0tr6jIS3UXj6aDj_6XkMtclG3iu67rtxYJgRjOvbMm_-6KehVIcIXb65vRpqZKdObniDBwXW5Frw3R8S3S1VYHkJqO_USXgFfh/s1600/DISC+Interiors+Silver+Lake+Photo+by+Laure+Joliet.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFQSZa96G8xipKWGU9ub1e_Ft8bRt6Hewt446o9Nklbs0tr6jIS3UXj6aDj_6XkMtclG3iu67rtxYJgRjOvbMm_-6KehVIcIXb65vRpqZKdObniDBwXW5Frw3R8S3S1VYHkJqO_USXgFfh/s1600/DISC+Interiors+Silver+Lake+Photo+by+Laure+Joliet.jpg" /></a></div><br /><div style="text-align: center;"><a href="http://laurejoliet.com/"><i>photography by Laure Joliet</i></a></div><br /><br /><i>We recently completed the interior design of the living & dining room for the LA Editor of Daily Candy. Evelyn Crowley's home is an early 60's California modernist architectural gem perched high in the hills of Silver Lake, offering views for days.  The complete photographs and the story behind this home are now up on the<a href="http://www.dailycandy.com/los-angeles/flipbook/154671/Living-Room-Makeover-with-Disc-Interiors"><b> Daily Candy site here...</b></a>  For this project, we were lucky to work with some of our favorite artists and vendors here in Los Angeles: lighting from Tracy Wilkinson, ceramics from Altadena's Sharon Mann, art from Heather Taylor's Culver City gallery, Taylor de Cordoba, and accessories from the Silver Lake Lawson Fenning and vintage furniture from Dekor in Echo Park.  The large room's resulted in a combination of earthy textures, jute, brass, wood, cork, and vintage textiles.   - David John</i><br /><br /><a href="http://discinteriors.com/DISC/PROJECTS.html"><b><i>Take a tour of our recent project,</i></b></a><a href="http://www.blogger.com/null"><b><i> and see more DISC Interiors projects  here.</i></b></a><br /><br /><br /><br /><br /><div style="text-align: center;">------------------</div>

DISC Interiorson Daily Candy "The pros behind Disc Interiors transform a barren, oddly proportioned living/dining area into a room that would bring a Dwell editor to her knees." - Daily Candy (here) photography by Laure JolietWe recently completed the interior design of the living & dining room for …

17Sep2013

<i><b>"I've been thinking about new ways to make pauses, spaces and silences, where breath is held inside and between each vessel, between the objects and the vitrines, the vitrines and the room</b>. </i><br /><br /><i>In working with the vessel, working with porcelain, and with colors that express the great history of Oriental ceramics, but also the colors of modernism and minimalism; this seems to be enough material to be getting on with."  <span style="color: #666666;">- Edmund de Waal </span></i><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNQIEcafrn_ffAhyFXGUnWVfPmU3w497LD7hCWoiVH2wYDRm5dGotVmudD9s-4JHAu1lp3wIwM3buc3uzHg72MVI8P93RXZlbsab2HcLktGlDGcoBSW1EKGMUy8OB3iGABJp9ajjv0rpfi/s1600/aeeb26af2e67356f583912c54a1106a6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="564" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNQIEcafrn_ffAhyFXGUnWVfPmU3w497LD7hCWoiVH2wYDRm5dGotVmudD9s-4JHAu1lp3wIwM3buc3uzHg72MVI8P93RXZlbsab2HcLktGlDGcoBSW1EKGMUy8OB3iGABJp9ajjv0rpfi/s640/aeeb26af2e67356f583912c54a1106a6.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik-Ud3o6K1CnDYLtdB2GyrEA8MaFMF2QfQB8c6H9U0MYqVI5UUuM3sllupNFtbl8c3OqN4vAzMc28V8FiUSR7ztt3MY4L5yXoNlllHvEXXMAKMw2YGqxIhYxZmPzr_mcGLC2wqQGTMw0TV/s1600/d97b5040977d53ec4471f4525811c9ed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik-Ud3o6K1CnDYLtdB2GyrEA8MaFMF2QfQB8c6H9U0MYqVI5UUuM3sllupNFtbl8c3OqN4vAzMc28V8FiUSR7ztt3MY4L5yXoNlllHvEXXMAKMw2YGqxIhYxZmPzr_mcGLC2wqQGTMw0TV/s640/d97b5040977d53ec4471f4525811c9ed.jpg" width="640" /></a></div><div style="text-align: center;"><i><br /></i></div><div style="text-align: center;"><span style="color: #999999;"><i>Edmund de Waal  </i></span></div><div style="text-align: center;"><span style="color: #999999;"><i>Atemwende (detail), 2013 </i></span></div><div style="text-align: center;"><span style="color: #999999;"><i>302 porcelain vessels, aluminium and plexiglass cabinet</i></span></div><i><span style="font-size: large;"><b>  </b></span></i><br /><br /><a href="http://www.gagosian.com/exhibitions/edmund-de-waal--september-12-2013"><i><span style="font-size: large;"><b>Gagosian Gallery</b></span></i> i</a>s pleased to announce new work by E<i><span style="font-size: large;"><b>dmund de Waal. </b></span></i><br /><br />"Atemwende comprises a series of vitrines containing thrown porcelain vessels arranged in specific groupings. From simple pairs of pots to complex multitudes in their hundreds, these minimalist dichotomies in black and white suggest the sequences and patterns of a musical score, while titles cite the poetry of Paul Celan, Wallace Stevens and others.  De Waal's art speaks to his enduring fascination with the nature of objects and the attendant history of their collection and display. His poignant memoir The Hare with Amber Eyes (2010) is a family biography whose recurring motif through five generations is a large collection of netsuke. A potter since childhood and an acclaimed writer, de Waal’s studies of the history of ceramics have taken him from ancient Japan to late modernism.<i><b> Confronting European and Asian traditions of intimate craftsmanship with the scale and sequence of minimalist art and music, his new ensembles evoke at once the delicate measure of Agnes Martin's sublime abstract paintings, and the rhythmic pulses of the music of Philip Glass and Steve Reich.</b></i> <br /><br />De Waal's desire to transcend utilitarian pottery was evident in his transition during the 1980s from clay to more refined porcelain, a medium that demands acute focus of mind and eye as well as a swift hand. A new audacity is expressed in the sheer number of pots and their arrangement. Impact is achieved through scale and multiplicity, yet the subtle iterations of the handmade process are maintained."<br /><br /><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;">-----------</div>

"I've been thinking about new ways to make pauses, spaces and silences, where breath is held inside and between each vessel, between the objects and the vitrines, the vitrines and the room. In working with the vessel, working with porcelain, and with colors that express the great history of Oriental…

16Sep2013

<i>new book on </i><br /><b><i>Adam Silverman's work </i></b><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheKMqiegbVijcTwVU-9epz0OsVdVFlQb0NgRC9AbeSYZoFikYlTe7BdtFfspjbRaMXIIFt18KwEH4urzeUVwJdaaqUHKXaL6_Q49eBOcSKNQQew9d_J3sApl0l8DGNYGm97lhdCLkrzoZr/s1600/BookCover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheKMqiegbVijcTwVU-9epz0OsVdVFlQb0NgRC9AbeSYZoFikYlTe7BdtFfspjbRaMXIIFt18KwEH4urzeUVwJdaaqUHKXaL6_Q49eBOcSKNQQew9d_J3sApl0l8DGNYGm97lhdCLkrzoZr/s1600/BookCover.jpg" /></a></div><br /><br /><i>Congrats to Adam on this book! So looking forward to this....</i><br /><div class="separator" style="clear: both; text-align: center;"></div><br /><i>"Adam Silverman is the face of a new generation of artists focused on ceramics and pottery, a medium that has not had major presence in the contemporary art world for many years. Incorporating traditional pottery techniques with his own experimental approach, Silverman creates works that are sensual, gritty, and beautiful. He uses unique glazes to give his pieces abstract lacy or gestural surfaces. Silverman has exhibited extensively and has a large, growing audience in the United States as well as in Japan, where his work is collected by Tadao Ando and Takashi Murakami, among many others. A breathtaking and informative overview of his work, Adam Silverman Ceramics is a landmark volume for all who appreciate ceramics, design, and modern sculpture as well as contemporary art. </i>"<br /><br /><a href="http://www.atwaterpottery.com/23.html"><i>visit Atwater Pottery here. </i></a><br /><br /><br /><br /><br /><div style="text-align: center;">------- </div>

new book on Adam Silverman's work Congrats to Adam on this book! So looking forward to this...."Adam Silverman is the face of a new generation of artists focused on ceramics and pottery, a medium that has not had major presence in the contemporary art world for many years. Incorporating traditional …

15Sep2013

<i><b>new works by <a href="http://www.hadleyholliday.com/hadleyholliday/Home.html">Hadley Holliday </a></b><a href="http://www.hadleyholliday.com/hadleyholliday/Home.html"> </a></i><br /><br /><i>"These intentional “accidents” and imperfections yield absorbing compositions, inviting viewers into a meditative visual experience, not unlike the one Holliday enters during the painting process."</i><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ7MiXmNmKcBeK-QL9UCYBiSiGo8VG0FQLCSiaawyt4EwZ2wNN1f_HKgxFTwWTWMtSHKOYL3a5AA0ohe4DVcHDrngJFP4EHRM6l4aLMIuB_iC-_LUgCKxCGUgoQ1van_6Y3qsoYhjowtQ2/s1600/Hadley+Holiday+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ7MiXmNmKcBeK-QL9UCYBiSiGo8VG0FQLCSiaawyt4EwZ2wNN1f_HKgxFTwWTWMtSHKOYL3a5AA0ohe4DVcHDrngJFP4EHRM6l4aLMIuB_iC-_LUgCKxCGUgoQ1van_6Y3qsoYhjowtQ2/s640/Hadley+Holiday+2.jpg" width="572" /></a></div><br /><br /><br /><b>September 14, 2013 – October 26, 2013 </b><br /><br /><i>"For Holliday’s second exhibition at <a href="http://www.taylordecordoba.com/"><b>Taylor De Cordoba</b></a>, the artist presents a new series of acrylic paintings that continue an exploration of a meditative visual experience. Holliday creates psychedelic patterns of interlocking circles, which form arched, expansive spaces of depth and transparency. While her previous body of work centered around a bold shade of blue, here, Holliday expands her palette, incorporating hues of gray, pink and gold. Within these patterns,<span style="font-size: large;"><b> sections of raw canvas remain exposed and function as negative space</b></span>, alongside contrasting clouded or darkened areas of oil paint and metal leaf.  Holliday’s process begins with a pencil line drawing of a precise geometric arrangement of radiating circles that grows outwards towards a horizon line. Slowly, she begins to disrupt the visual balance by slicing lines through the circles and erasing sections. The image moves further away from geometric accuracy, as circles begin to resemble amorphous shapes. The underlying structure further breaks down as puddles of liquid paint flow from one section to the next. <span style="font-size: large;"><b>These intentional “accidents” and imperfections yield absorbing compositions, inviting viewers into a meditative visual experience, </b></span>not unlike the one Holliday enters during the painting process.</i><br /><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC8D-fB5dfdXko7zqzs7iYdfGE17o2dJ1fdrnbs90SFl9LsM3pu6L0IjRqCgfaFjmonX1coZeDhvKug5FkB92Tv6TDtZ3lAxO7lKWfwHmBsDlc3-TL7SjRHUkdzpfB2pkDHxmAiYK8ZENN/s1600/Hadley+Holiday.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC8D-fB5dfdXko7zqzs7iYdfGE17o2dJ1fdrnbs90SFl9LsM3pu6L0IjRqCgfaFjmonX1coZeDhvKug5FkB92Tv6TDtZ3lAxO7lKWfwHmBsDlc3-TL7SjRHUkdzpfB2pkDHxmAiYK8ZENN/s640/Hadley+Holiday.jpg" width="578" /></a></div><br /><br /><a href="http://www.taylordecordoba.com/"><i><br /></i></a><a href="http://www.taylordecordoba.com/"><i>more info here. </i></a><br /><br /><br /><i>"And when your house, begins to rust<br />Oh it’s just, metal and dust"</i><br /><div style="text-align: center;">----------------</div>

new works by Hadley Holliday "These intentional “accidents” and imperfections yield absorbing compositions, inviting viewers into a meditative visual experience, not unlike the one Holliday enters during the painting process."September 14, 2013 – October 26, 2013 "For Holliday’s second exhibition a…

12Sep2013

<div class="separator" style="clear: both; text-align: left;"><a href="http://www.galleryweekendmexico.com/"><b>Contemporary Art in Mexico City </b></a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><u><b>Gallery Weekend México</b></u><i> is the weekend devoted to contemporary art. Based on the magnificent offer and artistic production from our country, this initiative of Código magazine is an annual program, which will be held in September. One of its most important purposes is to bring together the art community and contemporary audience art. This event will take place from the 27th to the 29th of September. The most innovative galleries in Mexico City will open their best exhibitions on the evening of the 27th. They will also extend their opening hours: 11 am to 7 pm Saturday and 11 am to 5 pm Sunday.</i></div><div style="text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_TjNJq6HpK5GBbgucDkpIyJLOn9ZOCct_cDmvYsOmmeNLE74Tv7HPBLhR3gCAkoJ4vB3R_RdjYsHjOB53qotgY2C070zqoKzITUtuS3hYWDqtDwMTfjtAVHzTNA1a0paBWncxNWHWq4qW/s1600/ProyectoParalelo-Diego-Pereyra.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_TjNJq6HpK5GBbgucDkpIyJLOn9ZOCct_cDmvYsOmmeNLE74Tv7HPBLhR3gCAkoJ4vB3R_RdjYsHjOB53qotgY2C070zqoKzITUtuS3hYWDqtDwMTfjtAVHzTNA1a0paBWncxNWHWq4qW/s640/ProyectoParalelo-Diego-Pereyra.jpg" width="520" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp96hDCEs9qpR0Jgke8LKHKx4F153nQLMz8uj4hOJ1HsWbEkx2NYOiRZcvfa2HUQBbNK9sRQ5v-0ui9xpUQJVQV090Zl9tQvmRj-4sHH2YEcwnJ7Hmp-TWRsr0jRgGCY7ZNzHuPhdJgsU-/s1600/kurimanzutto-Diego-Pereyra.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp96hDCEs9qpR0Jgke8LKHKx4F153nQLMz8uj4hOJ1HsWbEkx2NYOiRZcvfa2HUQBbNK9sRQ5v-0ui9xpUQJVQV090Zl9tQvmRj-4sHH2YEcwnJ7Hmp-TWRsr0jRgGCY7ZNzHuPhdJgsU-/s640/kurimanzutto-Diego-Pereyra.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK13xVnLeeNunpkZ6UPIxnDo4mOSmQTC9EuP8ETbCy_mIt03p5oaciZICN6-MwEq71j5F9GF8KAEnCE_-NqykskScm_qx4USjEE34MNh0KW4WkQy81TrxfYwov4ApGs1CsNVcnqq_4mJzf/s1600/Galer%C3%ADaPabloGoebelFineArts-cortes%C3%ADadelagaler%C3%ADa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK13xVnLeeNunpkZ6UPIxnDo4mOSmQTC9EuP8ETbCy_mIt03p5oaciZICN6-MwEq71j5F9GF8KAEnCE_-NqykskScm_qx4USjEE34MNh0KW4WkQy81TrxfYwov4ApGs1CsNVcnqq_4mJzf/s640/Galer%C3%ADaPabloGoebelFineArts-cortes%C3%ADadelagaler%C3%ADa.jpg" width="588" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrvuauxGIOmFsMGuGhv4pkZRdzHgI9HImve0OsTqXohBS68SKHlc3HsTK1fhSgQy_4EUEu6QFUzwudE2tyNxmX_5aS0YFLaCpAfJvgauV5LctJiEx8apA58Eb3Qp2qbbReDweCPpITmHJO/s1600/Labor-Diego-Pereyra.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrvuauxGIOmFsMGuGhv4pkZRdzHgI9HImve0OsTqXohBS68SKHlc3HsTK1fhSgQy_4EUEu6QFUzwudE2tyNxmX_5aS0YFLaCpAfJvgauV5LctJiEx8apA58Eb3Qp2qbbReDweCPpITmHJO/s640/Labor-Diego-Pereyra.jpg" width="424" /></a></div><br /><br /><br /><i><a href="http://www.galleryweekendmexico.com/">more info here.</a></i><br /><br /><i>Anáhuac Galería Luis Adelantado / Condesa<a href="http://www.edsgaleria.com/"><b> EDS Galería</b></a> / Le Laboratoire / <b><a href="http://proyectoparalelo.mx/">Proyecto Paralelo</a></b> / Juárez Galería Ethra / talcual / Polanco Patricia Conde Galería / Galería Pablo Goebel Fine Arts / Roma Altiplano Galería / Arróniz Arte Contemporáneo / Proyectos Monclova / OMR / San Miguel Chapultepec kurimanzutto / Labor / Nina Menocal / </i><br /><br /><br /><br /><div style="text-align: center;"><i>------------ </i></div><br /><br />

Contemporary Art in Mexico City Gallery Weekend México is the weekend devoted to contemporary art. Based on the magnificent offer and artistic production from our country, this initiative of Código magazine is an annual program, which will be held in September. One of its most important purposes is …

09Sep2013

<b>Axel Einar Jorth </b><br /><a href="http://www.phillips.com/auctions/auction/UK050313"><i>Phillips: "Nordic Design" London  Sept 26 2013 </i></a><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8ZsAwnfd0idxq7zdMulL8HyCMx9g_Rv8aTgChBScSH3tJSf2e4xpmGxHuH_ySlEbIP-OpPzPyiw_Yb6bHe1NCtsD-z7BOjrjHIRDZg0QqtE1px6YPpFPsX4Davavp0n2TqADoYw1e6zbL/s1600/axel.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8ZsAwnfd0idxq7zdMulL8HyCMx9g_Rv8aTgChBScSH3tJSf2e4xpmGxHuH_ySlEbIP-OpPzPyiw_Yb6bHe1NCtsD-z7BOjrjHIRDZg0QqtE1px6YPpFPsX4Davavp0n2TqADoYw1e6zbL/s1600/axel.JPG" /></a></div><br /><br /><div style="text-align: center;"><i>LOT  273 AXEL EINAR HJORTH </i></div><div style="text-align: center;"><i>High-backed 'Caesar' chair, circa 1928  </i></div><div style="text-align: center;"><i>Estimate £10,000 - 15,000</i></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL6RtvRNkZr54h5auhieBc8tOOqjO6lIe0i3o67rYb6o6VMtVRSj4IJhM2O-_jPUm6lCoHGszt31W7orvW23DD26pjf2zHnkKQ18Hi19nN6eLwHmbQA5XwErEAB4M6wJPDVcrk6h4tUOcI/s1600/axel+einahr+hjorth+philips+auction+nordic+design+furniture+swedish.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL6RtvRNkZr54h5auhieBc8tOOqjO6lIe0i3o67rYb6o6VMtVRSj4IJhM2O-_jPUm6lCoHGszt31W7orvW23DD26pjf2zHnkKQ18Hi19nN6eLwHmbQA5XwErEAB4M6wJPDVcrk6h4tUOcI/s1600/axel+einahr+hjorth+philips+auction+nordic+design+furniture+swedish.JPG" /></a></div><div style="text-align: center;"><i><br /></i></div><div style="text-align: center;"><i>LOT  258 AXEL EINAR HJORTH </i></div><div style="text-align: center;"><i>'Grand' chest of drawers, circa 1930 </i></div><div style="text-align: center;"><i> Estimate £15,000 - 20,000</i></div><div style="text-align: center;"><br /></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><a href="http://youhavebeenheresometime.blogspot.com/2013/05/a-c-onversation-on-w-orks-of-axel-einar.html"><i>Read a previous conversation about Axel Einar Hjorth's work here. </i></a></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><i><b>How would you describe the aesthetic expression of Hjorth's works?  </b></i></div><div style="text-align: left;"><br /></div><div style="text-align: left;">Aesthetic Hjorth's furniture followed national and international trends. While his furniture for Stockholms Stads Hantverks Förening and early furniture for NK were Neo-Classical or Swedish grace, they shifted to modernism in the late 1920´s.    The really interesting is the furniture in pine, created from 1929 and onwards, which mixes aesthetic from peasant handicraft with international modernism in a deep personal way.   The “tastemakers” or the Swedish Society of Crafts and Design ignored him totally both at the time and later.</div><div style="text-align: left;"><br /></div><div style="text-align: left;"><a href="http://www.phillips.com/auctions/auction/UK050313"><i>Visit Phillips Nordic Auction lots here.</i></a></div><br /><br />

Axel Einar Jorth Phillips: "Nordic Design" London Sept 26 2013 LOT 273 AXEL EINAR HJORTH High-backed 'Caesar' chair, circa 1928 Estimate £10,000 - 15,000LOT 258 AXEL EINAR HJORTH 'Grand' chest of drawers, circa 1930 Estimate £15,000 - 20,000Read a previous conversation about Axel Einar Hjorth's…

09Sep2013

<i>When I was younger, younger than before </i><br /><i>I never saw the truth hanging from the door </i><br /><i>And now I'm older see it face to face </i><br /><i>And now I'm older gotta get up clean the place.</i><br /><br /><i> </i>    <br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh23YIOJrNx0YXJHk8hhjt1NBa5HptXRrIt28J727rxZ0zh32I4ccKzisdxFuPX4okj7qyiYvM86GJFR3L3kdEj2DldpOZx-SENaLVmVam07SJJNLBw8VOaDXSFtjwhdxIJlpB5-mdPnozJ/s1600/bem_aic_09_09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="574" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh23YIOJrNx0YXJHk8hhjt1NBa5HptXRrIt28J727rxZ0zh32I4ccKzisdxFuPX4okj7qyiYvM86GJFR3L3kdEj2DldpOZx-SENaLVmVam07SJJNLBw8VOaDXSFtjwhdxIJlpB5-mdPnozJ/s640/bem_aic_09_09.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAQv-S8Rhmd847mH591RBzSyUoZ7n2qZG26KsOHYmcHOiOL7GfX5MrqLTnhyvyk-4laFmtnBQS-ef2St3EbgnXT1KCfEw9lU7ELbArJmSj8ieejFhMEPzV_7v9O-UkXA7UBqYweKldzAsR/s1600/paoli+masi+print.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAQv-S8Rhmd847mH591RBzSyUoZ7n2qZG26KsOHYmcHOiOL7GfX5MrqLTnhyvyk-4laFmtnBQS-ef2St3EbgnXT1KCfEw9lU7ELbArJmSj8ieejFhMEPzV_7v9O-UkXA7UBqYweKldzAsR/s640/paoli+masi+print.JPG" width="624" /></a></div><br /><i><br /></i><i>And I was strong, strong in the sun </i><br /><i>I thought I'd see when day is done</i><br /><i>Now I'm weaker than the palest blue </i><br /><i>Oh, so weak in this need for you.</i><br /><div class="separator" style="clear: both; text-align: center;"></div><br />

When I was younger, younger than before I never saw the truth hanging from the door And now I'm older see it face to face And now I'm older gotta get up clean the place. And I was strong, strong in the sun I thought I'd see when day is doneNow I'm weaker than the palest blue Oh, so weak in this …

08Sep2013

Summer ReadingAD Collector 2013 ------------…

07Sep2013

<i> Akio Nukaga </i><br /><br /><i>"</i><i><i>Essentially, I aim at working towards creating simple designs."</i> </i><br /><i>  </i><br /><i><br /></i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi60iHM_2hmgo9GuRCmgOooWxpaw8HRAoqmlm4N-uaP-vPU45maS78xknYST51aia9sqtwquPglPeNGNcOGJBPFk_Be7RixjYWnY20G9c_4z-ZUPnZ9XClfDK08ap6v62q0Op_HwU8_Wj6O/s1600/1237903_636501683046796_779562767_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi60iHM_2hmgo9GuRCmgOooWxpaw8HRAoqmlm4N-uaP-vPU45maS78xknYST51aia9sqtwquPglPeNGNcOGJBPFk_Be7RixjYWnY20G9c_4z-ZUPnZ9XClfDK08ap6v62q0Op_HwU8_Wj6O/s640/1237903_636501683046796_779562767_n.jpg" width="480" /> </a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><i><a href="http://www.ne.jp/asahi/nukaga/akio/eng/index_eng.htm">taken from Akio's site, here.</a> </i></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><i>" I am Akio Nukaga, Kasama's ceramic artist. I am mainly producing dishes/tableware and flower vases of KOHIKI、TETSU-YUU (iron glaze)、and HAKUJI.I work hard at making simple shaped and heart warming textured bowls.  The bowls that I am making have an original and unique texture feeling that is created SABIKOHIKI and GOMAKOHIKI in the kind of KOHIKI.SABIKOHIKI was given its name since red small spots that express tastefully austere like an iron rust. Also, GOMAKOHIKI was since the iron powder in the foundation appears to be goma (sesame). Moreover, through NAGASHIKAKE、HAKEME、TETSUSAI. I am looking for various ways to express the clay.HAKUJI is used semi-porcelain clay for base and is made a bit thicker. </i></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><i>Essentially, I aim at working towards creating simple designs."  </i></div><br />

Akio Nukaga "Essentially, I aim at working towards creating simple designs." taken from Akio's site, here. " I am Akio Nukaga, Kasama's ceramic artist. I am mainly producing dishes/tableware and flower vases of KOHIKI、TETSU-YUU (iron glaze)、and HAKUJI.I work hard at making simple shaped and hear…

06Sep2013

<i>"parting glances"aka  "passing into the night" </i><br /><br /><i>I didn’t know it was <b>the last time </b></i><br /><i>You never know when it’s the last time </i><br /><i>I didn’t know it was the last time <a href="http://www.wweek.com/portland/imgs/media.images/13045/albumrev_alela-diane2.widea.jpg"><b> (farewell)</b></a></i><br /><br /><i> </i>  <br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn3W90i5eTt5RMJDcfNX7G6V2w2I7weqFtYe4mD16jrWt_JdNKkZIGPkqTb0_ucmegFWtxYe2IlNZgO5OyBUV06eI3E81WMMaylMLNYuyeoMfDSzZyi_qW1_nrnpLNNblmeKhY3gZajEaP/s1600/banca-popolare-interlocked-serrated-walls-of-the-eastern-corner-s-upper-and-lower-staircases.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn3W90i5eTt5RMJDcfNX7G6V2w2I7weqFtYe4mD16jrWt_JdNKkZIGPkqTb0_ucmegFWtxYe2IlNZgO5OyBUV06eI3E81WMMaylMLNYuyeoMfDSzZyi_qW1_nrnpLNNblmeKhY3gZajEaP/s1600/banca-popolare-interlocked-serrated-walls-of-the-eastern-corner-s-upper-and-lower-staircases.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHDMy7y1eCawYBBEzuLvZcuZ626FXY7BRrtF6jK33ryYblRYBGU6BZ-6X7Ma5u_EGWcNEIl1M6_Cy9W-2tPV6DSGqq2Cgg64Dz3QQjWCNSAdvYhLoqHXbFU8DehfLDARU9BZ04arVOh7-y/s1600/detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHDMy7y1eCawYBBEzuLvZcuZ626FXY7BRrtF6jK33ryYblRYBGU6BZ-6X7Ma5u_EGWcNEIl1M6_Cy9W-2tPV6DSGqq2Cgg64Dz3QQjWCNSAdvYhLoqHXbFU8DehfLDARU9BZ04arVOh7-y/s1600/detail.jpg" /></a></div><br /><br /><i>feels just like the last time</i><br /><br />1<b>.Carlo Scarpa Monograph: </b><i>Banca Popolare, Verona, 1973–8; interlocked serrated walls of the eastern corner's upper and lower staircases</i><br /><br />2.  Image from the iphone of a detail of a piece of furniture from <b>Lawson Fenning</b> that we are incorporating into a nightstand for an upcoming<b> DISC Interiors </b>project.<br /><br /><br /><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;">------------------</div>

"parting glances"aka "passing into the night" I didn’t know it was the last time You never know when it’s the last time I didn’t know it was the last time (farewell) feels just like the last time1.Carlo Scarpa Monograph: Banca Popolare, Verona, 1973–8; interlocked serrated walls of the eastern c…

04Sep2013

marigeoinbucatarie interior

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