His works with pigment, for example, display that powdery dust, they exhibit it in its material concreteness, as one of the many specimens of matter that make up our world; but they also transform it into chromatic fields, exploring its wide yet subtle palette, letting color perform as it should after it has been freed of the burdens of representation.
Thilo Heinzmann
Cloud Clear Horizon
August 28 - September 27, 2014
Galerie Perrotin, Hong Kong, is pleased to announce “Cloud Clear Horizon”, Thilo Heinzmann’s first solo show in Asia. Heinzmann is a painter in the emphatic sense of the word, fully invested in reinventing and recalibrating that medium’s capacities, while keeping a keen eye on that artform’s rich history. One of the central tenets of Heinzmann’s work lies in revisiting painting’s Western tradition with both of its prime historical momentums in view: painting as the superior medium for showing the world; and, after it had achieved its momentous triumph in retreating to its own means, painting as the field for a powerful interaction of form, color, texture, surface, after the rupture of abstraction. Heinzmann’s work revisits this epochal break and harnesses it into a dichotomy that his art elegantly puts into play. His works with pigment, for example, display that powdery dust, they exhibit it in its material concreteness, as one of the many specimens of matter that make up our world; but they also transform it into chromatic fields, exploring its wide yet subtle palette, letting color perform as it should after it has been freed of the burdens of representation. (text taken from here)
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